top of page

photos courtesy of Karen Schindler (baselinepress.ca), Thomas Li (thomasliphotography.com), and ANIMA

CAENEUS 2024

Mme Sosostris’s canteen, / a beggar can become a queen, / a queen become a corporal …

music by James Rolfe | words by Luke Hathaway

production: James Rolfe and ANIMA

——

A bronze-age transition story — retold in 1940s America — retold in and for our own time. 

 

Caeneus presents us with a queer world in which the Army sanctions G.I. drag … only to turn around and criminalize/pathologize same-sex love and gender variance. 

 

The music, by James Rolfe, draws on 1940s soundworlds of vaudeville and cabaret — infused with older soundworlds that gesture to this story’s complex, ancient, and intercultural origins. 

first-stage workshop | Pike Bay Community Hall | August 2023

 

featuring Lesley Emma Bouza (NADINE); Daniel Cabena (musical direction, co-production, BIRD); Paul Genyk-Berezowsky (MOPSUS); Luke Hathaway (writing, co-production, BARTENDER, EXCLUDED G.I.); Juliet Palmer (pianist); Henry Peirson (theatrical direction/dramaturgy, GAY SERVICEMAN); James Rolfe (composer, co-production, SPY); Garry Williams (dramaturgical mentorship, RECRUITER)

second-stage workshop 10C Shared Space | Guelph | August 2024

featuring Guillaume Bernardi (direction); Lesley Emma Bouza (REMI); Richard Burrows (percussion); Daniel Cabena (musical direction, co-production, BIRD); Aliayta Foon-Dancoes (violin); Paul Genyk-Berezowsky (BEN); Elyssia Giancola (stage direction); Luke Hathaway (writing, co-production); Brian McQueen (LUCY); Juliet Palmer (clarinet); Henry Peirson (assistant-direction, PATRICK); James Rolfe (composition, co-producer); Asitha Tennekoon (EUGENE); GaRRy Williams (assistant musical direction, piano); Claire Yurkovich (active listening, production assistance)

 

Project development has been supported by Saint Mary’s University and by the Canada Council for the Arts.​

MEMBRA JESU NOSTRI 2023

music by Dietrich Buxtehude | words by Luke Hathaway, Arnulf of Leuven, and anonymous others

score preparation / adaptation: James Rolfe | co-production: Baseline Press and ANIMA 

——

A queer and trans-y reenactment of the devotional rhythms of this beautiful Medieval hymn, as set to music by Dietrich Buxtehude in 1680.

 

A work of spiritual reclamation and erotic celebration, this work also celebrates the quotidian rhythms of caregiving, and acknowledges the agony of grief.

 

This sung devotion is a coming together of music and texts and of friends old and new. It’s a work of breath and movement and of heartfelt listening.

 

The text was originally published in chapbook form by Baseline Press

workshop presentation / chapbook launch | 10C Shared Space | Guelph | 25 June 2023

 

featuring Daniel Cabena (countertenor & violin); Chris Fischer (tenor); Paul Genyk-Berezowsky (baritone); Luke Hathaway (spoken word); Jonathan; Oldengarm (organ); Judith Souman (violin)

 

performance | King’s University | Halifax | 9 February 2024

presented by UKing’s Lit and Pride Societies; featuring Daniel Cabena (countertenor), Paul Genyk-Berezowsky (baritone), Luke Hathaway (spoken word), Garth MacPhee (harpsichord), and Garry Williams (tenor)

performance | 10C Shared Space | Guelph | 7 June 2024

 

featuring Lilly Gutierrez (soprano); Lesley Emma Bouza (soprano); Daniel Cabena (countertenor); Chris Fischer (tenor); Paul Genyk-Berezowsky (baritone); Joëlle Morton (violone); Jonathan Oldengarm (harpsichord & organ); and the Cardinal Consort of Viols (Sheila Smyth, Linda Deshman, Sara Blake, and Valerie Sylvester)

performance Metropolitan United Church Toronto | 27 June 2024

Livestream recording accessible here.

 

presented by Met United; featuring Elijah McCormack (male soprano); Lesley Emma Bouza (soprano); Daniel Cabena (countertenor); Chris Fischer (tenor); Paul Genyk-Berezowsky (baritone); Joëlle Morton (violone); Jonathan Oldengarm (harpsichord & organ); and the Cardinal Consort of Viols (Sheila Smyth, Linda Deshman, Sara Blake, and Valerie Sylvester)

A performance score is available for order via ANIMA: animaearlymusic@gmail.com

THE HOUSE OF OUR PILGRIMAGE 2023

co-creation: Daniel Cabena, Paul Genyk-Berezowsky, and Luke Hathaway

production: ANIMA

——

A program inspired the Cantigas of Santa Maria — that great corpus of 13th century songs celebrating the sacred feminine — this musical journey seeks to disrupt and reclaim in equal measures. 

Our intergenerational community of practice includes the 13th and 14th c. sensibilities of Guillaume de Machaut; Jehan de Lescurel; and Alfonso X, the Wise — and the beautiful contemporary contribution of James Rolfe.
 

premiere | Wilfrid Laurier U. Faculty of Music ‘Music at Noon’ Series | Waterloo | 1 February 2024

 

featuring Daniel Cabena (voice and instruments), Paul Genyk-Berezowsky (voice and instruments), Luke Hathaway (spoken word)

performance | Church of St John’s | Elora | 2 February 2024

 

presented by the St John’s Elora Concert Series; featuring Daniel Cabena (voice and instruments), Paul Genyk-Berezowsky (voice and instruments), and Luke Hathaway (spoken word)

NAVRÉ DE TON DART 2022

Of bodies changed to other forms / I speak to you in changèd voice, / in altered form….

co-creation: Daniel Cabena, Paul Genyk-Berezowsky, Luke Hathaway, Terry McKenna, Judith Souman

production: ANIMA

——

Using songs of Gilles Binchois and John Bedyngham, with their associated parody Masses—and new adaptations (by Luke Hathaway) of poetry by Christine de Pizan — this program tells a late-medieval story of gender transition, which is also a story of the progress of love, sacred and profane.

premiere | Brunton Auditorium | Sackville | 23 September 2022

 

presented by the Sackville Festival of Early Music; featuring Daniel Cabena (voice, vielle, recorder); Luke Hathaway (CHRISTIAN DE PIZAN); Paul Genyk-Berezowsky (voice, Renaissance guitar, recorder); Judith Souman (vielle, recorder)

performance | St. Barnabas Church | Blue Rocks | 25 September 2022

 

presented by Musique Royale; featuring Daniel Cabena (voice, vielle, recorder); Luke Hathaway (CHRISTIAN DE PIZAN); Paul Genyk-Berezowsky (voice, Renaissance guitar, recorder); and Judith Souman (vielle, recorder)

performance | Guelph Youth Music Centre | Guelph | 28 October 2022

co-presented by Guelph Musicfest; with performances by Daniel Cabena (voice, vielle, recorder); Luke Hathaway (CHRISTIAN DE PIZAN); Paul Genyk-Berezowsky (voice, Renaissance guitar, recorder); and Judith Souman (vielle, recorder)

performance | Conrad Grebel University | Waterloo | 1 February 2023

 

presented by the Conrad Grebel U. ‘Music at Noon’ Series; featuring Daniel Cabena (voice, vielle, recorder); Luke Hathaway (CHRISTIAN DE PIZAN); Paul Genyk-Berezowsky (voice, Renaissance guitar, recorder); and Judith Souman (vielle, recorder)

Recorded as an album in Port Greville, N.S., with sound engineering, production support, and videography by Colleen (Coco) Collins.

THE AFFIRMATIONS 2022

a trans-mystical work of love and change’ — Ali Blythe

poetry by Luke Hathaway | audio book created and performed by Daniel Cabena & Luke Hathaway, dir. Cate Cochran 

production: Biblioasis

——

The mystics who coined the phrase ‘the way of affirmation’ understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength … and with all one’s body, too.

https://www.biblioasis.com/shop/new-releases/the-affirmations/

https://thewalrus.ca/ballad/

BALLAD

I was well past child-bearing years
and children had, though only three,
when I was walking on the strand
and a sea-grey selkie said to me,

      O come away, my beautiful one,
      arise and come away with me.
      I am a man upon the land,
      I am a selkie in the sea.

 

O how can I away with you?
A man I have, and children three.
If you had come when I was young
I would have gone away with thee.

 

      And home I went to my husband true
      and bounced my babies on my knee,
      but my dreams were full of the selkie’s song
      and the Eli, Eli of the sea.

 

So I went down to the shore again
and said, All right, I’ll go with thee:
come up and claim what is thine own.

No answer came from the seal-grey sea.

 

      So I went home to my husband true
      and sang to my beautiful children three,
      I am a woman on the land,
      I am a selkie in the sea.

 

O come away my beautiful one.
O why hast thou forsaken me?

THE LOVER AND THE BELOVED / WHERE TWO OR THREE ARE GATHERED 2021

music by Guillaume Du Fay | additional words by Luke Hathaway, Francesco Petrarch, and Francis Quarles

production: ANIMA

——

A convergence, a part-singing — an homage to three-part harmony and Guillaume Du Fay.
 

workshop performance | Wilfrid Laurier University ‘Music at Noon’ Series | Waterloo | 8 April 2021

 

featuring Daniel Cabena (voice and viele), Stephen Tok (voice), and John Wiens (voice and Renaissance guitar)

A POOR PASSION 2020

musical consultation: Zachary Wadsworth and Tim Pyper

production: Inter Arts Matrix and ANIMA

——

An adaptation and a queering of an iconic work, Bach’s Johannes-Passion, with new words by Luke Hathaway. 

 

first-stage workshop | Rabbit Hill | Guelph | August 2020

 

featuring James McLennan (tenor / evangelist), Sheila Dietrich (soprano), Daniel Cabena (alto), Chris Fisher (tenor), Daniel Lichti (baritone), Henry Peirson (baritone), Anna Ronai (harpsichord), and Terry McKenna (plucked strings)

THE TEMPLE 2018

music by Zachary Wadsworth | words by Luke Hathaway

production: ANIMA

——

A new cantata for the Feast of the Presentation, The Temple expresses the ecstasy and extremis that exist in the space of new (queer) parenthood. The work was composed by Zachary Wadsworth in a week’s time — using words written for the occasion by poet Luke Hathaway. 

The project was an exploration — by imitation — of the working methods of Johann Sebastian Bach, whose Ich habe genug … (BWV 82) was our source of inspiration.

The score is available for download here the text was published as a chapbook by Baseline Press

premiere | St John the Evangelist Church | Kitchener

co-presented by Spiritus Ensemble; featuring Daniel Cabena, Sheila Dietrich, and Daniel Lichti (soloists)

performance | St John the Evangelist Church | Kitchener | 25 November 2018

presented by Spiritus Ensemble

© 2024 ANIMA

bottom of page